JT Aultz | The Nine Club With Chris Roberts – Episode 263

JT Aultz discusses meeting Jeron Wilson when he was a kid, filming with Tim Dowling & being in the Listen video, getting on Real Skateboards, kickflip nose manny down the Tom Penny chain bank, his OCD & Superstitions, being in medically induced coma for 3 days after slamming on a rail, leaving the rank of pro skater & going to work in manufacturing skateboards and much more!

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Bam Margera & Family – Stop And Chat | The Nine Club With Chris Roberts – Episode 90

Bam, Phil, April & Jess Margera Stops by and Chats with the Nine Club about all being together & visiting CKY in the studio, Phil driving Bam and his friends around to skate in the sticker car, getting the the MTV deal, what was going on behind the scenes of Viva La Bam, getting banned by airlines, stalkers, having events so big the town had to change the laws, Phil on Celebrity Fit Club, Bam sells the purple Lambo, April & Phil’s first date, how April almost became an MTV VJ and much more!

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Tom Curran | The Nine Club With Chris Roberts – Episode 262

Tom Curran discuss moving to California from Ohio, getting Scarecrow boards from Russ Pope, getting a job at Vans, winning 800 bucks on a scratch off and moving to San Francisco, working for World Industries & meeting Ryan Sheckler, Globe buying Dwindle & having to fire people, leaving Dwindle for Red Bull, what a Red Bull budget looks like Vs a skateboard company’s budget, changing directions and entering the agent role for skateboarders and much more!

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Elliot Sloan – SOUND CHECK | In the studio, Vista, CA – Monster Energy

Sloan’s digs hit different. His garage is literally wallpapered with classic and collectible decks; attached it is a studio nook where his adorable Jack Russell, “Moose,” lazily lounges; and, in his backyard, might be one of the only houses in Vista, California with a cool AF half pipe and mega ramp. In this Sound Check episode, the ever lowkey Sloan takes us on a tour of it all, and shares some wisdom about the parallels between riff writing and flexing new skate moves, he says: “You don’t have to worry about eating shit when writing a riff.”

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